Atomos Shinobi 7 RX HDMI/SDI HDR On-Camera Monitor/Wireless Receiver

Using intuitive, on-screen sliders you can adjust white balance, lens aperture, shutter speed/angle and ISO. A red edge display indicates when the camera is recording internally, whether triggered by the camera or from the Shinobi II or Shinobi 7 RX. Both models can control most Canon, Fujifilm, Nikon, Panasonic, and Sony mirrorless cameras over USB-C, and all Z CAM E2 series models (LANC cable required, purchased separately)

Tap the Shinobi II or Shinobi 7 RX touchscreen to have the camera automatically focus on your point of interest. Touch to focus takes advantage of camera focus modes such as focus tracking for effortless control and sharp images. Available with compatible cameras only.

The integration of Wi-Fi connectivity provides a stable link between the Shinobi 7 RX and the TX component of Atomos’ TX-RX wireless video system, or any external RTSP H.264 source.

All Shinobi models offer a comprehensive suite of monitoring tools, all with simple one-touch operation, for focus, framing, and exposure. Tools include focus peaking, zoom (4:1, 2:1, 1:1), zebra, false color (Atomos, ARRI, and EL Zone™ colorized exposure modes), frame guides, SMPTE safe areas, grid markers, waveforms, an RGB parade, vectorscope, multi-view analysis, and flexible 3D/1D LUT support with profile and preset options (including .cube file uploads via SD card). Shinobi II and Shinobi 7 RX provide anamorphic de-squeeze monitoring (2x, 1.8x, 1.79x, 1.65x, 1.6x, 1.5x, 1.33x, 1.25x) to correct the ratio for anamorphic lens setups.

All Shinobi monitors support EL Zone, a professional false color exposure tool that helps you see exactly how bright or dark different parts of your image are. Unlike traditional false color systems that use rough IRE ranges, EL Zone assigns specific colors to exact exposure values—based on stops of light, in the same way your camera sees exposure. It’s a precise and consistent way to expose your image correctly every time.

All Shinobi monitors receive LOG signals from the camera and offer real-time LUT (Look-Up Table) preview to approximate what the final graded image will look like in Rec.709. Custom LUTs (.cube files) can be loaded from an SD card and used in conjunction with the Shinobi’s built-in monitoring tools for precise exposure control.